Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits herself to our gaze and allows us to understand what constitutes her mask. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out. The film includes Grace's unique performances singing iconic hits such as Slave To The Rhythm, Pull Up To The Bumper, as well as the more recent autobiographical tracks Williams' Bloods and Hurricane. These personal songs also link to Grace's family life, as the film takes us on a holiday road trip across Jamaica, where her family roots and the story of her traumatic childhood are uncovered. In Jamaican patois, 'Bloodlight' is the red light that illuminates when an artist is recording and 'Bami' means bread, the substance of daily life. Grace Jones: Bloodlight and Bami ...

Schreiber was one of Oppenheimer's brilliant young physicists recruited for the Manhattan Project during World War II. He was entrusted to carry the Plutonium core to Tinian Island where he'd assemble the atomic bomb known to history as "Fatman". In the mid-fifties, he was selected to lead the American effort to build powerful nuclear rocket engines in the secrecy of the Nevada desert just miles from the infamous Area 51. The film includes Interviews with Los Alamos historian Roger Meade and Pulitzer Prize-winning Richard Rhodes. As well, nuclear physicist Taylor Wilson and nuclear engineer Carl Willis discuss Schreiber's "rocket science" with project ROVER. The film contains rare footage, artifacts, photos and audio recordings not seen or heard outside of family for decades. Some consider Schreiber atomic royalty. This is his story.

NFL Cheerleaders find themselves embroiled in controversy and constant media coverage after they pose for Playboy magazine in 1978.

Cooper and Hemingway: The True Gen is an unprecedented look at the bond between two of the most iconic artists of the 20th century.Utter opposites... nothing in common. The cowboy and the suburbanite. The conservative and the liberal. And yet these two artists (a word both men scoffed at) were the best of friends, right up to their deaths a mere seven weeks apart in 1961. But is the friendship of these two men really so surprising? A study of these two men is a study of the 20th century. Their internationally renowned careers (Cooper, two Best Actor Academy Awards; Hemingway, Nobel and Pulitzer Prizes) were played out over the same turbulent decades: the hedonistic 20s, the grim Depression 30s, the war-ravaged 40s, and the deceptively slumbering 50s; throughout, their public and private lives connected, parted, re-connected, intertwined, over-lapped, and collided. It is no small irony that the lives of these two men should suffer untimely ends at the dawn of the erupting sixties. ...