Title: Blood from Stone
The old era of vampires has been forced into darkness, yet they are drawn to the dawning of a new era for themselves with a longing to be free of their savage curse.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.
Peter Appleton is an ambitious young screenwriter working for HHS Studios during Hollywood's Golden Age, 1951 in particular. "Ashes to Ashes" is about to be released, and he's dating the attractive movie star, Sandra Sinclair. Just when everything seems to be going his way, it is discovered he (unwittingly) attended a Communist meeting during college when pulled there by his girlfriend at the time, and thus heavy suspicion settles over him and he'll have to stand before Congress. Afraid of what might happen if they don't, HHS cancels Appleton's contract and aborts the release date of the film. Appleton promptly begins to wallow in self-pity and spends nearly an entire night at a bar, then drives intoxicated through the streets of the California course until plummeting into a stormy river and getting knocked unconscious. Washing up on the beaches of a small town called Lawson. Although the people there are pleasant and likable, the town is depressed and lifeless due to having lost 62 ...
Rex is a loner, and when he's told he doesn't have long to live, he embarks on an epic drive through the Australian outback from Broken Hill to Darwin to die on his own terms; but his journey reveals to him that before you can end your life, you have to live it, and to live it, you've got to share it.
In 1943, a young painter, Françoise Gilot (1921- ) (Natascha McElhone) meets Pablo Picasso (1881-1973) (Sir Anthony Hopkins), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar (Julianne Moore), Marie-Thérèse (Susannah Harker) (whose daughter is Picasso's), and Olga Koklowa (Jane Lapotaire), each of whom seems deeply scarred by their life with Picasso. Gilot's response is to bring each into her relationship with Picasso. How does one survive Picasso? She keeps painting, and she keeps her good humor and her independence. When the time comes, she has the strength to leave.